Showing posts with label live. Show all posts
Showing posts with label live. Show all posts

Thursday, February 10, 2011

Two Door Cinema Club and Parades - Prince Bandroom Melbourne, 9th of February 2011

I've found that there is always an extremely terrible aftermath of attending gigs. That sickening feeling of lying in bed(or wherever you may graciously find yourself) in the wee hours of the next morning, wishing you were back in that claustrophobic, overheated and sans-personal-space, moshpit. You'd think I'd learn by now, but I refuse to accept encores and afterparties as an 'okay you've had your fun, may you please exit our premises now. If you won't, I'm sure our bouncer here can help you out'. That so called bouncer, who was once your bestfriend even for just some hours, has now also turned on you. To think what we had was real man, shame on you.

With support act Parades warming up those awaiting the arrival of the headliners, I couldn't help but revel in the fact that their music was the type you'd have as a movie soundtrack to something like a Sofia Coppola film(If Phoenix wasn't so involved), and I don't mean that in a bad way at all. They're heavily instrumental with minimal lyrics, and it works. Actually I don't know so much about the Sofia Coppola thing anymore, her soundscores are often more twinkling and whimsical whilst Parades has a bit more...oopmh.

The end of their set saw a half an hour break, comprising of dj tunes that suited more of a seedy nightclub (which is a shame because before the support act they were playing bands such as Clap Your Hands Say Yeah). Finally...

Admittingly, Ben the drummer is quite amusing to watch. Despite not being a part of the band's legitimate lineup, you can't help but jump up abit higher with him bouncing around behind the kit. Unfortunately, because of the almost red-cordial induced hyperactivity, I couldn't get a photo of him without it being blurred. A frantic frenzy swept throughout the gathered mass as beloved 'Something Good Can Work' broke through the speakers, whilst the heartfelt acapella version of 'What You Know' had the crowd bellowing the words back to lead Alex as he held the stage solo, up untill the rest of the band kicked in with the original tune. If anything's a certain, it's that Alex can sing. There's often a doubt that the voice on a recording is autotuned and polished, only to leave audiences disappointed when the flaws are heard at a live show. Alex proved this wrong however, as his voice was nothing but melodious and spot on.

The band graced us with 'Come Back Home' and 'I Can Talk' for their encore. My God, shit got crazy when they played 'I Can Talk' as their final ode to Melbourne. As the opening line goes by 'Uh oh, uh uh oh' ,was more than adequate. They were in big trouble, for having to leave us.



But as all good things go, everything must come to an end. Like a tasty Grill'd burger, there's that last morsel that we try to savour, in a desperate attempt of clinging onto what is left, and by that I mean I fought for the last setlist that once belonged to the crew.



Alex Trimble, you had me at the flip of your red hair.






Photos: Alean Penaflor

Saturday, September 11, 2010

Angus and Julia Stone - Palais Theatre Melbourne, 10th of September 2010






Last night I was fortunate enough to be given a ticket to see the musical siblings for their Palais show. The support acts were Jane Wallace and Luluc, both of whom were quite good (I particulary liked Luluc). The problem with this style of music - live- is that you tend to drift off into oblivion along with the soothing strums of chords, with the odd whimper of voice here and there.

How were Angus and Julia going to keep the audience awake? (apart from the fact that a great deal of the crowd were teenage girls just wanting a piece of Angus for themselves). Despite the whimsical nature of their music, the brother/sister duo managed to not only entertain but interact with the audience quite well. I was particularly impressed with how they orchestrated the beginning of their act. The two simply walked out from behind the curtain and began to play Santa Monica Dream(which I had been looking forward to). Of course my friend and I were both wondering where the rest of the band were, as the drum kit was nowhere to be seen.
Low and behold, the curtain is raised and there is the rest of the band, flashing lights, a real tree draped with fairylights, a lamp post and a background of twinkling stars. Just casually.


Between songs the duo would converse and more so than often respond to random screams emitting from the audience, mostly declarations of love for Angus and marriage proposals.


Angus responded 'I think it's a bit early' (in regards to a girls hysterical outburst of 'marry me!'

'When did you want to have it?' he added, with the girl enthusiastically responding December.

He then responded of how that was a nice time, then said something I didn't quite catch, which was then made even more confusing when Julia added something about fish being nice.



When Angus found himself confronted with a passionate outcry for him to have some fangirl's 'babies', Julia in her adorably cute-self, laughed (or giggled? giggled seems more appropriate for her) said 'I dont think Angus can have children'. A second later she realised that her comment may've been miscontrued as she added 'he doesn't have the parts to hold a baby' then went off on a tangent about Arnold Schwarzeneger in some movie where he mustve had a baby as she concluded that it was 'really weird'.



As far as multi-instrumentalists go, Julia was the definite winner. Cradling a guitar, soloing on the trumpet, whipping out the good ol' piano accordion, harmonica and also gracing the audience with the piano.


With their encore comprising of three songs, it was finally time to say goodbye and close the curtain on their Melbourne shows.


Photos: Alean Penaflor